J.P. Linde
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J.P. Linde
Writer
Thanks for stopping by. This site is a quick look at who I am, what I write, and the worlds I build. Browse around, check out the projects, and make yourself at home — the stories are just getting started.
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A Memoir by J.P. Linde
​​​Nearly fifty years after one unforgettable summer at the Shasta College Summer Theatre Festival, author J.P. Linde returns to discover what became of the people who changed his life—and why some places never really leave us. 
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J.P. Linde is a novelist, screenwriter, playwright, and former performer whose work spans fiction, film, theatre, and memoir. His stories explore humor, adventure, romance, and the moments that shape our lives.
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Click the photo above to read the One Summer Prologue
​Over the coming weeks on jplinde.com, I'll be sharing behind-the-scenes stories from the writing of the memoir, photographs and memories from the 1977 Shasta Summer Festival, interviews with former cast members, deleted scenes, and regular updates as One Summer moves toward publication. Every conversation uncovers another piece of the story. Every memory brings One Summer back to life.
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I hope you'll follow along.
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This is where I usually say FADE OUT. But in my world, this is where the real stories begin!
My Newest Screenplay
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​A driven aspiring comic actress and a shy Chicago office worker discover that the hardest part of improv isn't being funny—it's learning to say "yes, and" to each other.
What Producers Are Saying About NOIR:
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anewtypeofhero.blogspot.com

Chasing Story Through Music

2/10/2026

 
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​I once had lunch with a celebrated director/writer/DP from the 1970s and ’80s, and the conversation turned to what we listen to while sitting at our keyboards, trying to coax screenplays into existence. Not surprisingly, his answer lined up perfectly with mine: original motion picture soundtracks.
We didn’t get into the merits of over-ear headphones versus AirPods, but the larger takeaway was clear — nothing immerses you in your fictional world quite like a well-crafted film score. Of course, what you listen to inevitably depends on the genre you’re writing in. A noir demands a different emotional palette than a western, a romance, or a thriller.
In 1997, I had the pleasure of meeting the great Elmer Bernstein (The Magnificent Seven, The Great Escape, To Kill a Mockingbird). I wish I could have told him then how deeply his music shaped so many of my spec western screenplays. Nothing put me in the mood for a dusty, high-noon showdown like Sons of Katie Elder, The Shootist, or The Comancheros.
As my writing evolved, so did my musical tastes. Before long, I found myself immersed in the work of John Williams, John Barry, Jerry Goldsmith, Maurice Jarre, Miklós Rózsa, Bernard Herrmann, and Lalo Schifrin. And today, with composers like Danny Elfman, Blake Neely, Hans Zimmer, and Alan Silvestri still going strong, I figure I’ve got inspiration for a very long writing life ahead of me.
Naturally, this list barely scratches the surface — I’ve left out at least twenty other favorites (Mark Knopfler, Alfred Newman, Randy Newman, and many more).
So, as a little window into my current mindset — and maybe my personality — here’s a recent playlist. See if you can guess what genres I might be wrestling with at the moment:
Miklós Rózsa
  • The Killers (Main Title)
  • Double Indemnity (Main Title)
Roy Webb
  • Out of the Past
Franz Waxman
  • Sunset Boulevard
Thomas Newman
  • Saving Mr. Banks (End Title)
  • Road to Perdition (Main Title)
Alan Silvestri
  • Forrest Gump Suite
Maurice Jarre
  • The Paris Waltz
At the very least, a playlist like this reminds me why I fell in love with movies — and with writing — in the first place. Great film music doesn’t just accompany a story; it creates atmosphere, stirs memory, and quietly nudges you toward emotion you didn’t even know you were chasing. So if you ever catch yourself staring at a blank page, maybe don’t stare harder — turn the music up. Chances are, the story is already hiding in the score.

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