J.P. Linde
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J.P. Linde
Writer
Thanks for stopping by. This site is a quick look at who I am, what I write, and the worlds I build. Browse around, check out the projects, and make yourself at home — the stories are just getting started.
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​J.P. Linde’s love of storytelling began unexpectedly in the sixth grade, when he convinced his male classmates that Elizabeth Montgomery — yes, the star of Bewitched — was his girlfriend. From that moment on, he’s been spinning stories people actually believe.
He’s performed in summer-stock productions of Our Town, Hot L Baltimore, and The Misanthrope — and, to everyone’s relief, managed to avoid appearing nude in Hair. One of the founding members of Portland, Oregon’s comedy scene, J.P. created the sketch and improv group No Prisoners and later took the stage with his one-person show, Casually Insane. He went on to perform stand-up professionally, making his national television debut on Showtime’s Comedy Club Network.
His original musical, Wild Space A Go Go, premiered in Portland at The Embers in 2011. Since then, he’s written five novels, including his latest, The Last Argonaut, coming soon from Reese Unlimited. On the screen side, he co-wrote the horror cult classic Axe to Grind and has collaborated with some of the top producers in film and television.
COMING SOON:
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Where were you in 1977?

The  new memoir by J.P. Linde
The long-awaited follow-up to Son of Ravage arrives fall of 2026!
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A Sneak Peek

Now available:

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Where laughter meets terror, one story at a time.  Tales From the Chair!  The new comedy/horror anthology by J.P. Linde.  
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“Wry, weird, and uncomfortably human. Linde’s chair creaks under the weight of our collective nightmares.”

From Reese Unlimited
The Last Argonaut
by
J,P. Linde


​​When Nazi occultists awaken the vengeful spirit of Medea in their hunt for the Golden Fleece, the battle for world domination leaps from ancient tombs to wartime America. Standing in their way is The Peregrine—Atlanta’s masked avenger—and his daring wife, Evelyn. Together they’ll face dark magic, mystic assassins, and a prophecy written in blood. From the mean  streets of Atlanta to deep below Mount Olympus, The Last Argonaut hurtles through myth and history toward an explosive showdown between gods, monsters, and men—and the one hero destined to stand against them all.
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From J.P. Linde Media and El Dorado Press:

A desperate Wyatt Earp pursues Jack London, a boy, and a
grizzled mountain man in a race for a legendary gold mine


Fool's Gold 

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"Not only is J.P. Linde's FOOL's GOLD a barn burner of a snow western adventure tale, it's also a love story. Linde clearly loves his genre, loves creating within it and loves to keep his readers on the edge of their seat."    Richard Melo (Author of Happy Talk and Jokerman 8).
And the book that started it all!

"This book is fun, funny, action-packed, heartfelt, emotional and expertly written. I cannot recommend it enough."

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Visionary Talent Agency
Betsy Magee (Agent)
​646-637-6044
[email protected]
This is where I usually say FADE OUT. But in my world, this is where the real stories begin!
My Newest Screenplay
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​A driven aspiring comic actress and a shy Chicago office worker discover that the hardest part of improv isn't being funny—it's learning to say "yes, and" to each other.
What Producers Are Saying About NOIR:
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​Request Password & Access Instruction for Screenplays and Pitch Decks
anewtypeofhero.blogspot.com

That damn, little voice

6/10/2026

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While my optioned screenplay continues to make the rounds, I've been working on another project. You know, like it should be.
My little Midwest story has now been completed, and my team is attempting to determine whether there is any interest in the subject matter. Which got me thinking. Why did I write a romantic comedy about improv?
Seriously. Of all the stories I could have written, why that one?
Nobody was exactly beating down my door demanding a screenplay set in the world of improv, stand-up comedy, and sketch performers. There wasn't a market report suggesting audiences were desperate for more scenes involving awkward acting exercises and people pretending to be cats.
And yet I wrote it anyway. Why? Because something kept telling me there was a story there. Not that it would sell. Not that it would become a movie. Not even that it was a particularly smart career move. Just that there was something there worth exploring.
Which brings us to this week's subject:
Listening to your inner voice. You know the one. The voice that tells you a story is worth pursuing. The nagging feeling that keeps pulling you back to an idea long after common sense has moved on to something else.
Without that voice, none of us would have believed in ourselves in the first place. Without it, none of us would have stuck with this business. Something in the back of our minds keeps telling us to keep going. That maybe the rest of them are wrong. That maybe we really do have something to offer.
Now, I realize this sort of thinking can also get you prescribed medication or an extended stay in one of those special hospitals where troubled people go to "rest." But we keep listening.
Of course, sometimes the voice is flat-out wrong.
For example, it may convince you that Lucky Strike in the third race at Hollywood Park, paying seven to one, is a sure thing. It isn't. In that particular case, your little voice has suddenly become a problem.
There is a difference. Sometimes it's difficult to tell.
So which is it? A gift or a problem? Depends.
A couple of things I have learned over the years:
If something is telling you that pursuing a particular course of action may hurt yourself, others, or your career, you might not want to listen too closely.
But if you are sitting in a story meeting and somebody is advising you to cut all of Act Three, and your little voice is telling you that something isn't right about that note, pay attention. It may be onto something.
Here's the deal.
You and your little voice, your intuition, the muse, the Holy Spirit, whatever you choose to call it, are a team. You can't really have one without the other.
And while it is important to stay in touch with your feelings, it's equally important to stay aware of the situation and your surroundings. Your little voice is supposed to be your friend.
But like all advice from friends, it deserves a little thought before you act on it.
Is that too much to ask?
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