J.P. Linde
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J.P. Linde
Writer
Thanks for stopping by. This site is a quick look at who I am, what I write, and the worlds I build. Browse around, check out the projects, and make yourself at home — the stories are just getting started.
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A Memoir of Theatre, Love and the Summer of 1977
by
​J.P. Linde
​​​Nearly fifty years after one unforgettable summer at the Shasta College Summer Theatre Festival, author J.P. Linde returns to discover what became of the people who changed his life—and why some places never really leave us. 
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J.P. Linde is a novelist, screenwriter, playwright, and former performer whose work spans fiction, film, theatre, and memoir. His stories explore humor, adventure, romance, and the moments that shape our lives.
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Click the photo above to read the One Summer Prologue
​Over the coming weeks on jplinde.com, I'll be sharing behind-the-scenes stories from the writing of the memoir, photographs and memories from the 1977 Shasta Summer Festival, interviews with former cast members, deleted scenes, and regular updates as One Summer moves toward publication. Every conversation uncovers another piece of the story. Every memory brings One Summer back to life.
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I hope you'll follow along.
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    One Summer
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This is where I usually say FADE OUT. But in my world, this is where the real stories begin!
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​A driven aspiring comic actress and a shy Chicago office worker discover that the hardest part of improv isn't being funny—it's learning to say "yes, and" to each other.
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What I’m Listening For

4/30/2026

 
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Something strange has happened since I put my ears in. I’m listening more. Not just hearing. Listening. And believe me, there’s a difference.
Before, I caught pieces. Now I listen for the whole thing. The rhythm of it. The hesitation before someone answers. The way a sentence, even the topic, suddenly changes direction halfway through. The things people almost say, then don’t.
Writers have always been eavesdroppers. It’s part of the job whether we admit it or not.
Hemingway sat in cafés and bars, listening. Not for plot, not for big dramatic moments, just for how people actually spoke. Raymond Carver built entire stories out of the way ordinary people circle around what they really mean. David Mamet made a career out of capturing the music of conversation. The interruptions. The overlaps. The power plays.
Nobody pulls this out of the ozone. You have to listen. You file it away. And later, when you need it, it shows up.
I used to think dialogue was something you painfully shaped on the page. Now I’m starting to think it’s something you recognize.
While in Santa Barbara, I was sitting a few tables away from a couple having what, at first, sounded like a perfectly normal conversation.
“I just think it’s interesting that you suddenly like Old Fashioneds.”
“I’ve always liked Old Fashioneds.”
“No, you’ve never ordered them before.”
“I enjoy them.”
“What’s in one?”
“Bourbon.”
“What else?”
There was a pause. Not a big one. Just enough. He didn’t answer right away. Took a sip of his drink. Looked out toward State Street like the answer might be out there somewhere.
“They sound sophisticated,” he said.
And there it was. Not about the Old Fashioned. Not even close.
That space is where the story lives.
I don’t think I would have caught all of that a few weeks ago. Or maybe I would have, but I would have missed the important part.
So now I sit a little longer. I pay a little more attention. Not in a creepy way. Just enough to catch the edges of things. Turns out, the world is talking all the time.
You just have to have your ears in.

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