J.P. Linde
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J.P. Linde
Writer
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​J.P. Linde’s love of storytelling started unexpectedly when he convinced male classmates of his 6th-grade class that Elizabeth Montgomery, the star of Bewitched, was his girlfriend. Since that fateful day, J.P. Linde has worked as an actor in summer-stock productions of  Our Town, Hot L Baltimore, and The Misanthrope and, thankfully, did not appear nude during any performances of the musical Hair. He was one of the founding members of the Portland, Oregon comedy scene,  establishing the improvisational and sketch comedy group, No Prisoners, and appearing in his own one-person show, Casually Insane. He has worked as a professional stand-up comedian, making his national television debut on Showtime’s Comedy Club Network. His musical Wild Space, A Go Go, had its world premiere in Portland at The Embers in 2011.  He has written three novels. His latest,  The Last Argonaut, will be published in 2024 by Pro Se Productions. He co-wrote the horror cult classic Axe to Grind and has worked with some of the leading producers in film and television.
From J.P. Linde Media and El Dorado Press:

A desperate Wyatt Earp pursues Jack London, a boy, and a
grizzled mountain man in a race for a legendary gold mine


Fool's Gold 

The new novel from J.P. Linde
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"Not only is J.P. Linde's FOOL's GOLD a barn burner of a snow western adventure tale, it's also a love story. Linde clearly loves his genre, loves creating within it and loves to keep his readers on the edge of their seat."    Richard Melo (Author of Happy Talk and Jokerman 8).
Also by J.P. and available on 
Amazon!
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https://a.co/d/gsulDTu
"J.P. Linde has successfully delivered a novel that is both a loving homage to the pulp fiction genre and a hilarious satire of it. "
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Visionary Talent Agency
Betsy Magee (Agent)
​646-637-6044
[email protected]
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Dapper Bird Entertainment
Olga Aldama (Manager)
818-967-4041
[email protected]


anewtypeofhero.blogspot.com

Film Budgeting for Morons

6/4/2022

0 Comments

 
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(Pictured: partial budget from unmade Touristers 2008)
 
Have you ever written up an Independent Film Budget? Do you even want to? Trust me, I have no idea what I am doing, and I tried it. It is more frustrating than golf and only three times more exerting than attempting an IRS 10-40 long form (with deductions and additional income of course).
 
For the record, I must admit to having no idea what anything costs to buy, rent, or barter. Every figure was either taken from the internet or my imagination, so we just must assume that they are wrong. To make it even more challenging, I have no idea of how to set up my Excel sheet. But did that stop me? Hell no. I charged in any way.
 
So just for shits and giggles, let’s assume that this is a low budget horror comedy. Let’s also assume that only two of the actors have any sort of Hollywood career and that the rest are going to be kidnapped from local community theaters. Let also assume the same about the crew. DP a minor league pro, the rest lured to the job with the promise of fame, the hardship of 12-hour days and the faint wisp of enough cash to perhaps purchase a 32-inch flat-screen television from Walmart. Insurance and such have not been figured out as yet because, hey, I don’t know what the hell I am doing.
 
Still, I press on. My above the line costs (without writer/director and producer fees) are coming in around $75,000.00. The rest I have at roughly $80,000.00.  This is all based on 10-to-12-hour days with a two-week shooting schedule. Maybe I should have budgeted for more cocaine.
 
So, let’s bring this slow moving, overloaded, broken-down train to the station. What does this all mean. Well, in 2022 can a low budget film still come in at under $250,000.00. Where will this money come from? I certainly don’t have it. Do you? 
 
I am not sure if this little story will be ongoing or not. We shall have to see. In the meantime, take some time out for yourself and carve out an independent film budget. I swear, it will make you feel like a real Robert Evans.
 
“The only way you can make a deal is if you’re ready to blow it.” – Robert Evans
 
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