J.P. Linde
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J.P. Linde
Writer
Thanks for stopping by. This site is a quick look at who I am, what I write, and the worlds I build. Browse around, check out the projects, and make yourself at home — the stories are just getting started.
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A Memoir of Theatre, Love and the Summer of 1977
by
​J.P. Linde
​​​Nearly fifty years after one unforgettable summer at the Shasta College Summer Theatre Festival, author J.P. Linde returns to discover what became of the people who changed his life—and why some places never really leave us. 
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J.P. Linde is a novelist, screenwriter, playwright, and former performer whose work spans fiction, film, theatre, and memoir. His stories explore humor, adventure, romance, and the moments that shape our lives.
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Click the photo above to read the One Summer Prologue
​Over the coming weeks on jplinde.com, I'll be sharing behind-the-scenes stories from the writing of the memoir, photographs and memories from the 1977 Shasta Summer Festival, interviews with former cast members, deleted scenes, and regular updates as One Summer moves toward publication. Every conversation uncovers another piece of the story. Every memory brings One Summer back to life.
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I hope you'll follow along.
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    One Summer
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Visionary Talent Agency
Betsy Magee (Agent)
​646-637-6044
[email protected]
This is where I usually say FADE OUT. But in my world, this is where the real stories begin!
My Newest Screenplay
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​A driven aspiring comic actress and a shy Chicago office worker discover that the hardest part of improv isn't being funny—it's learning to say "yes, and" to each other.
What Producers Are Saying About NOIR:
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anewtypeofhero.blogspot.com

My Plan

3/8/2024

 
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I trust that everyone had a relaxing two weeks off. It is Oscar weekend. Are you watching? Do you care? This is a banner year for me as I have seen a few, not all, of the nominees. Some I have even seen in a theatre. And one, one I have seen in Imax.  
 
There is a lot to be said for this format. It has a giant screen, great sound, comfortable chairs, and a cool logo that lights up the auditorium before the movie starts. And it's bringing more people to the movies. What is there not to like? 
 
Well, there is one small snag, and that is the cost. Seeing a movie in the above-mentioned format costs more. Continuing on that logic, it will be assumed that people will only come out to movies with some specialized format that costs more, and what will get buried in the process? Independent, small, and medium-sized films. 
 
Boo!
 
Well, here is my proposal, and I will gladly sell my idea to the highest bidder. I propose a return to the Hollywood Studio system of the forties and fifties. But not for all studios. Each studio would need to specialize. 
 
The more successful studios can continue their streak of overly funded, under-creative films and present them in costlier formats.
 
Paramount would develop an RKO approach, opening up a few of its sound stages to create small—and medium-sized budget films that could be made for considerably less.
 
Leaving Warner to continue to make films that the public will never see.

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