J.P. Linde
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J.P. Linde
Writer
Thanks for stopping by. This site is a quick look at who I am, what I write, and the worlds I build. Browse around, check out the projects, and make yourself at home — the stories are just getting started.
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A Memoir of Theatre, Love and the Summer of 1977
by
​J.P. Linde
​​​Nearly fifty years after one unforgettable summer at the Shasta College Summer Theatre Festival, author J.P. Linde returns to discover what became of the people who changed his life—and why some places never really leave us. 
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J.P. Linde is a novelist, screenwriter, playwright, and former performer whose work spans fiction, film, theatre, and memoir. His stories explore humor, adventure, romance, and the moments that shape our lives.
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Click the photo above to read the One Summer Prologue
​Over the coming weeks on jplinde.com, I'll be sharing behind-the-scenes stories from the writing of the memoir, photographs and memories from the 1977 Shasta Summer Festival, interviews with former cast members, deleted scenes, and regular updates as One Summer moves toward publication. Every conversation uncovers another piece of the story. Every memory brings One Summer back to life.
​
I hope you'll follow along.
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This is where I usually say FADE OUT. But in my world, this is where the real stories begin!
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​A driven aspiring comic actress and a shy Chicago office worker discover that the hardest part of improv isn't being funny—it's learning to say "yes, and" to each other.
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Opposing Poles (The Play)

5/28/2022

 
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​It was the first play I had ever written (co-written to be exact) that was ever produced. It was performed on the studio stage at Mt Hood Community College in the Winter of 1974 and ran for a total of 3 performances. It was roughly 65 minutes long (including intermission) and had a featured cast of the hammiest actors the two-year institution ever had the privilege of educating. To call it a play was a bit of an exaggeration. It was more like a series of sketches loosely tied together by a flimsy plot of a young man’s journey into the discovery of his own masculinity. Okay, okay. It was just a series of sketches.
 
Some of these sketches were as follows:
 
And overture with ab ape in a tuxedo conducting an imaginary orchestra. (Director’s commentary: I don’t care what anyone says, Apes are college comedy gold. Apes in tuxedos – money.)
 
The Birthday Party. The hero returns to his apartment accompanied by his lovely date. As he undresses in anticipation of romantic next steps, his hiding friends jump out and surprise him with a party. (Director’s commentary: Okay, not exactly Doc Simon, Woody Allen or even George S. Kaufman, but did successfully get us into the next series of sketches.) 
 
Hal 9000 and Dave. The famous computer from 2001: A Space Odyssey teaches an astronaut the fine art of joke telling. (The featured performer was a black box with a red glass eye and was featured successfully in several sketches.)
 
Debate for Planet of the Apes. Charlton Heston and a guerrilla debate over the fate of mankind. (Just more monkey business.)
 
The Hal 9000 Driving School. A very nervous driver is taught by the Kubrick’s famous computer.
 
Mickey the Procurer’s (The school forbid the use of the word pimp) A late-night commercial by a white guy who had watched entirely too much 70’s detective films and television.
 
Kathryn Coolman Crusade
 
Billy Hack: An ax wielding vet who promotes peace with every swing. (Nothing better than Community College social commentary.)
 
A music video set to Bad, Bad Leroy Brown that featured the entire cast and was filmed in a high school pinball parlor across the street from Gresham High School.
 
As amazing as this was that this “work of literary art” ever saw the light of day, it is notable as the very first faltering steps of my writing career.
 
Believe it or not Department:
 
We were invited to perform this in the downtown Portland theatre venue, Wilson Center of Performing Arts. Luckily for the venue, we declined.
 

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