J.P. Linde
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J.P. Linde
Writer
Thanks for stopping by. This site is a quick look at who I am, what I write, and the worlds I build. Browse around, check out the projects, and make yourself at home — the stories are just getting started.
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​J.P. Linde’s love of storytelling began unexpectedly in the sixth grade, when he convinced his male classmates that Elizabeth Montgomery — yes, the star of Bewitched — was his girlfriend. From that moment on, he’s been spinning stories people actually believe.
He’s performed in summer-stock productions of Our Town, Hot L Baltimore, and The Misanthrope — and, to everyone’s relief, managed to avoid appearing nude in Hair. One of the founding members of Portland, Oregon’s comedy scene, J.P. created the sketch and improv group No Prisoners and later took the stage with his one-person show, Casually Insane. He went on to perform stand-up professionally, making his national television debut on Showtime’s Comedy Club Network.
His original musical, Wild Space A Go Go, premiered in Portland at The Embers in 2011. Since then, he’s written five novels, including his latest, The Last Argonaut, coming soon from Reese Unlimited. On the screen side, he co-wrote the horror cult classic Axe to Grind and has collaborated with some of the top producers in film and television.

Coming just in time for Halloween:

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Where laughter meets terror, one story at a time.  Tales From the Chair!  The new comedy/horror anthology by J.P. Linde.  
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“Wry, weird, and uncomfortably human. Linde’s chair creaks under the weight of our collective nightmares.”
And in November
From Reese Unlimited
The Last Argonaut
by
J,P. Linde

​​When Nazi occultists awaken the vengeful spirit of Medea in their hunt for the Golden Fleece, the battle for world domination leaps from ancient tombs to wartime America. Standing in their way is The Peregrine—Atlanta’s masked avenger—and his daring wife, Evelyn. Together they’ll face dark magic, mystic assassins, and a prophecy written in blood. From the mean  streets of Atlanta to deep below Mount Olympus, The Last Argonaut hurtles through myth and history toward an explosive showdown between gods, monsters, and men—and the one hero destined to stand against them all.
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From J.P. Linde Media and El Dorado Press:

A desperate Wyatt Earp pursues Jack London, a boy, and a
grizzled mountain man in a race for a legendary gold mine


Fool's Gold 

The new novel from J.P. Linde
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"Not only is J.P. Linde's FOOL's GOLD a barn burner of a snow western adventure tale, it's also a love story. Linde clearly loves his genre, loves creating within it and loves to keep his readers on the edge of their seat."    Richard Melo (Author of Happy Talk and Jokerman 8).
Also by J.P. and available on 
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https://a.co/d/gsulDTu
"J.P. Linde has successfully delivered a novel that is both a loving homage to the pulp fiction genre and a hilarious satire of it. "
web page hit counters codes Free
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Visionary Talent Agency
Betsy Magee (Agent)
​646-637-6044
[email protected]
Pitch materials are available upon request. Please contact me for access credentials.
anewtypeofhero.blogspot.com

So, you think you want to write a Sit-com

9/11/2021

0 Comments

 
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​I think there’s one genre of writing that remains harder than any other. I am referring, of course, to the sitcom. There’s a reason that a situation comedy writer’s room contains more bodies than an Osmond Family Thanksgiving. Each chair at the table’s occupied with a writer who specializes. Some excel with a story. Others are comedians adept at adding spot-on jokes that can punch up any script. And, there’s the head-writer, wrangling all these talents and making sure that he delivers a fully realized script each week.
 
Above him, the showrunner. Usually, the creator (or creators) overseeing it all and attempting to make sure that it does not come as a three-episode only train-wreck. I imagine it is the most stressful, aggravating, and exasperating job in all show business. And I say all that, realizing fully that it is one job that I would like to try on for size.
 
I have written three pilots in my long career. The first, Lucky 7, was an original idea by comedian Dave Anderson and me that concerned two hapless roommates who somehow inherit a down-and-out casino. It featured a close-up magician, who housed an endless community of dead and dying doves under his tuxedo, a gangster who was always attempting to buy the place, and the world’s oldest Keno runner. We knew nothing about sitcoms but went ahead and wrote it anyway. It was a lot of fun but never went anywhere. I’ll call that the Intro to Sitcom 101.
 
The second was a comedy pilot script titled Timber. The bottom-line pitch, Barney Miller in a Ranger Station. It featured a PTSD LA Cop who’s forced to take the job to get away from the mean streets of Burbank. Trouble is, any loud, unexpected noises set the poor guy off, hopefully into fits of improv hilarity. Amongst his fellow Forest Service employees, a low-level gangster sequestered away in witness protection, a clueless supervisor, and a long-suffering female partner. The script was written by me, Jerry Lambert, and Tom McComb and made it to a table read that featured the talents of the great Jerry Lambert and a couple of well-known others. Again, we went remarkably far for people who not only had no representation but did not always know exactly what the hell we were doing.
 
There have been other attempts that were never shown to anyone until…
 
CUT TO:
 
Tuesday, August 24, 2021.
 
What can I tell you? Not much. But this is a company that has experience producing television and desperately needs content. I sent them a story bible and an outline of the first ten episodes. The fact that they immediately responded to the idea and asked to see the pilot script is excellent. And, just maybe, it brings me one step closer to my dream.  
 
I guess the lesson here is this. You want to do something, keep trying. 
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