J.P. Linde
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J.P. Linde
Writer
Thanks for stopping by. This site is a quick look at who I am, what I write, and the worlds I build. Browse around, check out the projects, and make yourself at home — the stories are just getting started.
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​J.P. Linde’s love of storytelling began unexpectedly in the sixth grade, when he convinced his male classmates that Elizabeth Montgomery — yes, the star of Bewitched — was his girlfriend. From that moment on, he’s been spinning stories people actually believe.
He’s performed in summer-stock productions of Our Town, Hot L Baltimore, and The Misanthrope — and, to everyone’s relief, managed to avoid appearing nude in Hair. One of the founding members of Portland, Oregon’s comedy scene, J.P. created the sketch and improv group No Prisoners and later took the stage with his one-person show, Casually Insane. He went on to perform stand-up professionally, making his national television debut on Showtime’s Comedy Club Network.
His original musical, Wild Space A Go Go, premiered in Portland at The Embers in 2011. Since then, he’s written five novels, including his latest, The Last Argonaut, coming soon from Reese Unlimited. On the screen side, he co-wrote the horror cult classic Axe to Grind and has collaborated with some of the top producers in film and television.

Coming just in time for Halloween:

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Where laughter meets terror, one story at a time.  Tales From the Chair!  The new comedy/horror anthology by J.P. Linde.  
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“Wry, weird, and uncomfortably human. Linde’s chair creaks under the weight of our collective nightmares.”
And in November
From Reese Unlimited
The Last Argonaut
by
J,P. Linde

​​When Nazi occultists awaken the vengeful spirit of Medea in their hunt for the Golden Fleece, the battle for world domination leaps from ancient tombs to wartime America. Standing in their way is The Peregrine—Atlanta’s masked avenger—and his daring wife, Evelyn. Together they’ll face dark magic, mystic assassins, and a prophecy written in blood. From the mean  streets of Atlanta to deep below Mount Olympus, The Last Argonaut hurtles through myth and history toward an explosive showdown between gods, monsters, and men—and the one hero destined to stand against them all.
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From J.P. Linde Media and El Dorado Press:

A desperate Wyatt Earp pursues Jack London, a boy, and a
grizzled mountain man in a race for a legendary gold mine


Fool's Gold 

The new novel from J.P. Linde
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"Not only is J.P. Linde's FOOL's GOLD a barn burner of a snow western adventure tale, it's also a love story. Linde clearly loves his genre, loves creating within it and loves to keep his readers on the edge of their seat."    Richard Melo (Author of Happy Talk and Jokerman 8).
Also by J.P. and available on 
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https://a.co/d/gsulDTu
"J.P. Linde has successfully delivered a novel that is both a loving homage to the pulp fiction genre and a hilarious satire of it. "
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Visionary Talent Agency
Betsy Magee (Agent)
​646-637-6044
[email protected]
Pitch materials are available upon request. Please contact me for access credentials.
anewtypeofhero.blogspot.com

We Interrupt This Blog Post

10/13/2019

0 Comments

 
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We will be back with today’s blog entry in a moment. I wanted to let you all know that I am going to be gone for a couple weeks, doing what I love most, writing. And, in doing this, will be doing what I love the second most, getting paid! It’s a relatively short gig, but a creative and lucrative one. I will tell you more about it when I get back. It’s for two of my favorite people and one of my favorite companies, Topknot Films.
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In the meantime, watch one of the greatest documentaries of this year, “Abducted in Plain Sight.” ​
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Now, back to your regularly scheduled blog post. 
 
A Hooker’s Praise: The Ballad of Wiley Bowman Pt 2
 
Decades ago, I was at a strip club. As our party filed in, my bachelor party compatriots were immediately greeted with seductive compliments in hopes of being lured off into the back room for expensive table dances. The practical stripper who approached me, looked me over thoroughly and, after careful contemplation, could only manage to come up with, “Nice glasses.” 
What can I say? I’m a sucker for complements, whenever I am lucky enough to stumble upon one.
 
The call came after work. I was in downtown Portland coffee shop and the voice on the other end of the line was laid back, confident, smooth as a perfectly aged scotch and extremely complimentary. His name was Wiley Bowman Jr and he promptly reported that during his reading of my script, he laughed so hard that he had to immediately talk to the writer. Needless to say, it had been an extremely long time since I had received a literary compliment and, like the nice glasses line (which happened to work by the way), I had been smitten with the promise of a revived career. We chatted for a several minutes, Wiley reporting that he was casting another project but would get back to me soon. 
 
Things happened rather quickly from here. A deal memo was signed, and Wiley started assembling his crew. Keep in mind, all signed had at least one foot into the business we call show and knew a thing or two about getting movies made. There was a Producer, a Director of Photography and a Stunt Coordinator. While not heavyweights in the industry, these were individuals with produced work and solid resumes. 
 
WARNING #1 No money had exchanged hands, and all of the major players in this story were waiting until funding had been secured. 
 
In a matter of couple months, several other people signed on and a series of auditions were announced. These auditions took place in LA and were videotaped for prosperity. I still have a copy. Some of the faces of the hopefuls are even recognizable from film and television (twenty years ago). But why the hell shouldn’t they be? We were a speeding train, on the fast-track of successful independent filmmaking. How could we not succeed?
 
Keep in mind, all this happened without a single penny. Wiley believed he could round up his crew, his supporting cast and lure some upper grade talent from the major agencies and then proceed and get all the funding he needed. From where? Only he seemed to know. But he was confident as hell about it. So, there’s that.  
 
In going over the research material for this blog, I am struck by how far Wiley got with his plan. Not only did he have a crew and some of the cast, he also had a budget worked out. 
 
If it sounds too good to be true, it usually is. But I wanted this so bad, I refused to look at the whole situation realistically. Independent filmmaking is guerilla anyway. How was anyone to know what the rules really were. Wasn’t that the point? You make them up as you go along. Do anything just to get the project off the ground?
 
When it came down to casting leads, Wiley wooed one of the top agencies in LA and managed to sign some significant names to deal memos. 
 
Not only had he gotten through the door, he had been invited to the top floor for a meeting. Wiley told everyone involved that he was close to finalizing this whole deal. All he needed was to sign the leads and the financial backers would be lined up outside his door. The meeting was scheduled at the Beverly Hills Agency and Wiley requested that a few of the key players be there. I remember asking him, “we’re close, aren’t we?” He assured me we were very near the finish line. I, ever the optimist, announced in FB that I was going to be famous. The next day, I jumped in my car and drove the 1,100 miles to Beverly Hills.
 
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The view from Beverly Hills

To be continued (in a few weeks)
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